Despite the gradual return to physical theatres, box office revenues are still below pre-pandemic levels. Consumer habits, driven by convenience and learned behaviors, still lean towards streaming services which picked up new users during lockdowns. Omdia’s view is that while the box office will recover, the levels seen pre-pandemic are still a number of years away.
In the face of these challenges, a historical comparison is intriguing. The last WGA strike became an unexpected catalyst for the small screen, heralding an era of high-quality, glossy drama that not only rivalled the cinematic narrative but also pushed the boundaries of storytelling, thereby attracting a broader audience demographic.
Alongside this, the strike also saw an upswing in non-scripted content – reality shows, game shows, and talk shows became mainstays. It was, in a way, an unintended consequence of the strike that resulted in an unexpected diversity of content, leaving an indelible mark on the television industry.
Today, the core issue of contention extends beyond traditional labor grievances. It reaches into the realm of AI, a technological advancement that has slowly, but surely, been making inroads into the creative process. For many writers, the growing use of AI in screenwriting presents a double-edged sword.
On one hand, there's the fear of job replacement – an understandable concern given the efficiency with which AI can generate content. But on the other, AI also offers tremendous benefits, such as the ability to swiftly generate plot ideas, automate script formatting and contextual accuracy, create personas and test character interactions. It's not just about cost and efficiency as AI can also provide tools that enhance creativity.
Hollywood stands at a precipice: if it chooses to resist the use of AI, it might alleviate the immediate concerns of the writers, but at a potential long-term cost. Hollywood’s competitors, in all their forms, are far less beholden to their talent and will seize any opportunity to outcompete.
While Hollywood sits in the past, could a new AI-driven dawn rise from outside Tinseltown rise without them?
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