Analysis of all the main music industry sectors of Japan.
Of all the world’s leading recorded-music markets, Japan has arguably been the most erratic, with some sizable differences in annual performance.
Looking back over the last 10 years or so, trade revenue from recorded-music sales has been inconsistent, with one or two years of growth followed by a couple of years of decline. However, despite record company income from physical formats continuing to be unpredictable, the digital sector has stabilized. Moreover, following a lengthy reliance on downloads, the subscription sector now generates around three quarters of the total digital revenue for the local industry. For more findings on the Japan's Music Industry, subscribe to the Music & Digital Audio Intelligence Service.
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Japan Music Industry Update, June 2022
The Analyst Team
Simon Dyson
Follow AnalystSenior Principal Analyst, Music and Digital Audio
At Omdia, Simon edits the industry newsletter, Music & Copyright. He also provides a wealth of insight and information including research, data, trackers, and forecasts.
Prior to joining Omdia, Simon had a lengthy career in the music industry, after which he returned to education and then worked for a specialist music research agency for three years. His extensive music industry knowledge covers all sectors of the industry with a particular interest in recorded music and publishing, as well as royalties and music-related intellectual property issues. Simon has worked for Omdia, formerly Ovum and Informa Telecoms and Media, since 2000. His knowledge of the music industry was gained through performance, management, and record company ownership. He holds a Bachelor of Science in media studies.
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